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  Elon Musk momentarily forgot his son's name during an interview, telling the press that it 'sounds like a password'. 
  
  Musk was visiting the Giga factory in Berlin  when a member of the press asked him how his
  child was.
  
  During the press conference, one interviewer asks Musk,
  who looks very confused: 'how is X Æ A-12?'
  
  
  
  
  Elon Musk (pictured) was visiting the Giga factory in Berlin, Germany, when a member of the press asked him how
  his child was
  
  
  
  
  The Tesla CEO asks the reporter to repeat themselves before laughing and saying
  'oh you mean my kid? That sounds like a password.'    
  
  He continues: 'He's great. I think next time I'm going to bring him.'   
  
  Musk and musician partner Grimes welcomed their first child
  together on May 4 and decided to name the baby boy X Æ
  A-12 Musk.    
  
  This is reportedly pronounced 'Ex Ash A Twelve' with 'Ex' being the child's first name.  
  
  Later that month Grimes announced the baby's name was changed to
  'X Æ A-Xii' as it was reported that the child's original name
  violates California naming laws.  
  
  
  
  
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  Musk and musician partner Grimes welcomed their first child together on May 4 and
  decided to name the baby boy X Æ A-12 Musk (pictured) 
  
  
  
  
  
  
  
  Under these laws only the 26 letters of the English alphabet, including hyphens, could be used.
  
  
  Musk had been at the manufacturing plant for Tesla that is currently under construction in Germany. 
  
  Elon Musk has visited Germany to discuss his new European Tesla factory that
  is currently under construction in Germany. 
  
  He recently overtook Mark Zuckerberg to become the
  world's third richest man with his $115billion (£86.4billion)
  fortune. 
  
  Tesla is building an electric car plant just outside Berlin, and is scheduled to meet German Economy Minister Peter Altmaier earlier
  this month to discuss the plans. 
  
  
  
  
  Grimes announced the baby's name was changed to 'X Æ A-Xii' as it was reported that
  the child's original name violates California naming laws (pictured, Grimes
  and Musk) 
  
  
  
  
  
  
  
  
  GermanyElon MuskBerlin

  iqos ซื้อที่ไหน Wednesday, 11 December 2024 15:59 Comment Link
• 

  Early reactions to Joker: Folie à Deux suggest a blend of 'brilliance' and 'boredom', leading to a mixed bag of
  reviews.
  
  The film sees the return of Joaquin Phoenix's Oscar-winning portrayal
  of Arthur Fleck/Joker and the addition of pop powerhouse Lady Gaga as Joker's love interest Harley Quinn.
  
  
  Premiering to a full house at the Venice Film Festival on Wednesday,
  the eagerly awaited sequel to Todd Phillips' billion-dollar hit divided critics.
  
  
  
  While some found it 'superior' to the acclaimed
  2019 film and lauded the performances of both Phoenix and Gaga,
  others slammed Joker: Folie à Deux as 'derivative' and devoid of
  'fun.'
  
  DailyMail's Brian Viner called the movie musical 'audaciously
  different in style from the original, not quite as electrifying, but bold and brilliant all the same.'
  
  
  
  
  
  
  
  
  
  Early reactions to Joker: Folie à Deux suggest a blend of 'brilliance' and 'boredom',
  leading to a mixed bag of reviews 
  
  
  
  
  
  While some found it 'superior' to the acclaimed 2019 film and lauded the performances of both Phoenix and Gaga, others slammed
  Joker: Folie à Deux as 'derivative' and devoid of 'fun' 
  
  
  
  
  Read More
  
  Lady Gaga puts on a loved-up display with her fiancé Michael Polansky at Joker
  premiere
  
  
  Owen Gleiberman appeared a bit less impressed in his
  review for Variety, writing that the 'cracked jukebox
  musical' had an audacious concept, 'but in a basic way it's an overly cautious sequel.' 
  
  IndieWire's David Ehrlich took a bit of a harsher tone, saying
  the 138-minute flick is 'boring, flat, and a criminal waste of Lady Gaga,' adding it feels 'bad on purpose.' 
  
  He added: 'Phillips has created a corporate pop spectacle that all but demands to be seen as something else. 
  
  'Here is a movie that perversely denies audiences everything they've been conditioned to want from
  it; gently at first, and then later with the unmistakable hostility
  of a knife to the gut. 
  
  'And that, more than anything else, is why Folie à Deux adopts the form of a classic musical:
  Because no other genre makes it so easy to appreciate all the fun you're not having.' 
  
  In contrast, Alex Harrison of ScreenRant describes Joker: Folie à Deux as
  a more refined sequel designed to provoke fans of the original film. 
  
  'Joker: Folie à Deux has more coherent things to say about fan culture than it or
  its predecessor does about mental illness, which, for me, makes it the superior of the two,
  ' he stated.
  
  Deadline's Pete Hammond praises the film as 'brilliant' and lauds
  the performances of the leads. 
  
  'Phoenix knows this character inside and out, and in what others might say is a risky proposition, he tap dances, sings and sells this role like no other — if not topping his Oscar-winning turn in Joker, at least
  finding a way to take him in different, wholly surprising direction. 
  
  'Gaga is smartly low-key, not the Harley Quinn we associate with Margot Robbie, but her own person, dressed down and
  believably showing affection and connection with Joker and, more important, the
  man behind the makeup.'
  
  The Hollywood Reporter says Joker: Folie à Deux feels 'narratively a little thin and at times dull… This sequel is built on more
  of a conceit than a solid story foundation.'
  
  'Even more than its predecessor, Joker: Folie à Deux reduces the archvillain to a hollowed-out product of childhood trauma and mental illness.
  Which means there's little we didn't learn last time,' added the outlet's David Rooney.
  
  
  The Guardian's Peter Bradshaw wrote, 'There's a great supporting
  cast and a barnstorming first act but Todd Phillips's much-hyped
  Gotham sequel proves claustrophobic and repetitive.'
  
  
  
  
  
  
  
  
  
  DailyMail's Brian Viner called the musical
  'audaciously different in style from the original, not quite as electrifying, but bold and brilliant all the same'
  
  
  
  
  
  Owen Gleiberman appeared a bit less impressed in his review for Variety , writing that the
  'cracked jukebox musical' had an audacious concept, 'but in a basic way it's an overly cautious sequel' 
  
  
  
  
  
  Deadline's Pete Hammond praises the film as 'brilliant' and lauds the performances of the leads 
  
  The Times called it a 'messy, lifeless sequel' that 'didn't need to exist.'
  
  'The director Todd Phillips said there would be no follow-up to the original, but he changed his mind and
  the result is a derivative musical,' the outlet's Kevin Maher
  wrote.
  
  Allison Willmore at Vulture panned the movie, writing, 'Mostly, Arthur is acted upon, even when he thinks
  he's seizing control — a punching bag for the world and, more importantly,
  for the director, who subjects the character to so many
  indignities that he actually stops being pitiable and starts resembling the punchline to a very long,
  shaggy joke. 
  
  'By the end of Joker: Folie à Deux, that joke feels like it's on us.'
  
  Joker: Folie à Deux is set to be released in theaters on October 4, 2024. 
  
  It is the much-anticipated follow-up to 2019's
  Academy Award-winning Joker, which earned more than $1 billion at
  the global box office and remains the highest-grossing R-rated film of all time.
  
  
  The second installment finds Arthur Fleck institutionalized
  at Arkham awaiting trial for his crimes as Joker.
  
  
  'While struggling with his dual identity, Arthur not only stumbles upon true love, but also finds the music that's always been inside him,' a press release shared.
  
  
  
  Lady Gaga

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